Poster © Sony Pictures Classics. Shown at reduced size for review and commentary.
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GenreFeature film
RatedPG-13
Runtime2 hr 2 mins
ReleasedJanuary 27, 2025
StreamingSee Where to Watch
DirectorBernard MacMahon
StarringJohn Bonham, John Paul Jones, Jimmy Page
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| ▶Stream It | ★The Numbers |
| 🎫Get Tickets | ✎Edit History |
| iIMDb Profile | %Rotten Tomatoes |
| WWikipedia | LLetterboxd |
| TTMDB | +Add to Top 8 |
| Becoming Led Zeppelin's Details | |
| Genre | Feature film |
| Rated | PG-13 |
| Released | 01/27/2025 (Grauman's Chinese Theatre, Hollywood, CA) |
| Streaming | See Where to Watch on this page. |
| Running Time | 2 hr 2 mins |
| Budget | Not reported |
| Box Office | Updated daily from Box Office Mojo. See the numbers below. |
| Country | United Kingdom, United States |
| Language | English |
| Becoming Led Zeppelin's Interests | |
| General | Postwar England, blues records, 8mm home movies, American tour stops, very long hair. |
| Music | Led Zeppelin, obviously. Pulled from the original records, with no digital cleanup on the audio. |
| Movies | The Song Remains the Same (1976). The band's own concert movie, a few years down the road. |
| Television | Daisy Jones & the Six. A made-up seventies band with real Zeppelin hair. |
| Heroes | John Bonham. The drums still sound like thunder. |
| Becoming Led Zeppelin's Crew | |
| Director | Bernard MacMahon |
| Writers | Bernard MacMahon, Allison McGourty |
| Cinematography | Vern Moen |
| Music | Led Zeppelin |
| Edited By | Dan Gitlin |
| Production | Allison McGourty, Paradise Pictures |
| Distributed By | Sony Pictures Classics |
Quick warning for the classic rock crowd: Becoming Led Zeppelin stops right about where most rock docs hit their stride, with the band finally famous and the wild years still ahead. Want the later tours and the tabloid stuff? None of it is here, and that’s a fair gripe. What is here is something no other film has: Jimmy Page, Robert Plant and John Paul Jones telling it in their own words, with nobody else handed the mic, plus the late John Bonham coming through in an old audio interview. Bernard MacMahon starts in gray postwar England, with four kids hooked on records by Little Richard and James Brown, follows Page and Jones grinding as session players while Plant and Bonham play to empty rooms, then lands on that first rehearsal. Jones is a delight. The sound is enormous, so see it loud. It made $10.4 million domestic. An 8.6 because it’s the best origin story a band has ever told about itself. $781 says you start rating every drummer you hear as fine, but no Bonham.
What works: The three surviving members are funny, candid company, the archive footage is a treasure, and the sound mix makes a theater feel like a gig.
What doesn’t: It covers only the band’s first stretch, so anyone wanting the full career, or a single outside voice, will leave hungry.
Who it’s for: Classic rock lifers, drummers of every age, and anyone who has ever owned a faded Zeppelin shirt.
It closes on a triumphant homecoming show at the Royal Albert Hall with the band’s families in the audience. Then Page, Plant and Jones sit and listen to John Bonham’s interview, hearing him talk about each of them for the first time in forty years.
No narrator, no outside experts, just the band telling its own story. Jimmy Page, Robert Plant and John Paul Jones each sit down on camera, and the late John Bonham speaks through an old radio interview that had been filed under the wrong label. Director Bernard MacMahon starts in postwar England with four kids hooked on African American music, follows their apprentice years, then gets to the part where they find each other. From there it's the first wild year: unseen 8mm and 16mm footage, old photos, America, and songs played loud. One hundred twenty-one minutes, turned up to eleven.
Anyone who owns a guitar they can't really play yet. Bring earplugs.
| John Bonham | |
| John Paul Jones | |
| Jimmy Page | |
| Robert Plant |