Poster © Focus Features. Shown at reduced size for review and commentary.
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GenreAnimation & Documentary
RatedPG-13
Runtime1 hr 44 mins
ReleasedMarch 27, 2026
StreamingSee Where to Watch
DirectorDaniel Roher, Charlie Tyrell
StarringDaniel Roher
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| The AI Doc: Or How I Became an Apocaloptimist's Details | |
| Genre | Animation & Documentary |
| Rated | PG-13 |
| Released | 01/27/2026 (Sundance); 03/27/2026 |
| Streaming | See Where to Watch on this page. |
| Running Time | 1 hr 44 mins |
| Budget | Not reported |
| Box Office | Updated daily from Box Office Mojo. See the numbers below. |
| Country | United States |
| Language | English |
| The AI Doc: Or How I Became an Apocaloptimist's Interests | |
| General | Baby prep, expert interviews, big questions, the future, apocaloptimism. |
| Music | Marius de Vries and Matt Robertson |
| Movies | Her (2013). The love story version of the same worries. |
| Television | Black Mirror. Roher would like to keep it fiction, thanks. |
| Heroes | Daniel Roher, asking the questions every new parent is quietly searching at 3 a.m. |
| The AI Doc: Or How I Became an Apocaloptimist's Crew | |
| Director | Daniel Roher, Charlie Tyrell |
| Producers | Daniel Kwan, Jonathan Wang, Shane Boris, Diane Becker, Ted Tremper |
| Cinematography | Jenni Morello, Lowell A. Meyer |
| Music | Marius de Vries, Matt Robertson |
| Edited By | Davis Coombe, Daysha Broadway |
| Production | Playgrounds, Cottage M, Fishbowl Films |
| Distributed By | Focus Features (United States), Universal Pictures (International) |
The AI Doc tries to interview everybody, and that’s both its strength and its limit. Filmmaker Daniel Roher has a baby on the way and wants to know what kind of world the kid is inheriting, so he sits down with a huge lineup that includes Sam Altman, Demis Hassabis, Dario Amodei, Yoshua Bengio, Timnit Gebru and Yuval Noah Harari, some of them building the technology and some of them sounding alarms about it. With that many voices in 104 minutes, nobody gets to go deep, and you’ll leave with more questions than answers. That might be the point. What makes it work is Roher himself. He’s openly nervous, and he frames the whole debate through a soon-to-be dad trying to decide whether to panic, which shrinks a giant topic down to a human size. Critics called it balanced, and it never tells you what to think. A 6.8 because it’s a sharp, humane survey that stays a survey. $298 says you call yourself an apocaloptimist out loud before the week is over and have to explain it twice.
What works: Roher’s personal angle as an anxious father-to-be makes a huge, abstract subject feel human, and the film gives both hope and fear a fair hearing.
What doesn’t: With so many interviewees packed in, it skims across big ideas instead of digging into any of them.
Who it’s for: Anyone who has wondered where AI is headed and wants a balanced starting point rather than a sermon.
There’s no twist. Roher lands right where the title says, as an apocaloptimist, holding the fear and the hope at the same time.
Filmmaker Daniel Roher has a baby on the way and one giant question: what kind of world is this kid inheriting now that artificial intelligence is everywhere? So he goes and asks. The film tracks his crash course through the promise and the panic around AI, with interviews from people building it, people warning about it and people studying it, including Sam Altman, Demis Hassabis, Dario Amodei, Yoshua Bengio, Timnit Gebru and Yuval Noah Harari. Roher co-directs with Charlie Tyrell, and Daniel Kwan and Jonathan Wang produce. The mood he lands on: apocaloptimism. One hundred four minutes, one nervous new dad.
Expectant parents, doomscrollers and optimists. Ideally all three at once.
| Daniel Roher |