Fargo is a dumb plan, a smart cop and jokes in a crime scene. These eight carry that DNA. Some carry it better than you'd admit.
Number one isn't a Coen movie, and it's the truest heir anyway.
- 8
Same botched-crime energy, smaller budget, way more talking.
A robbery goes sideways and Steve Buscemi is in trouble again. Shot for a reported $1.2 to 3M, it scores 9.3. Less snow, more arguing about tipping.
- 7
Fargo's nervous laughs, swapped for Boston accents and bigger egos.
Cops, crooks and everyone lying to everyone. 9.0 on movie.guru, $292M worldwide. My take is 8.6 because Nicholson plays it like the camera owes him money.
- 6
The most underrated winter crime movie of the 2000s.
A family man stuck in mob business he can't control, cold and grey everywhere. 7.7 on movie.guru, my take 8.2. The slow pace will test you.
- 5
The cold-weather cop movie nobody bothered to see.
A worn-out FBI agent working a small, frozen Pacific Northwest town. 93% on Rotten Tomatoes, just $2.0M domestic. Heavy subject, so zero Fargo giggles here.
- 4
The closest thing to a Fargo sequel, minus the snow.
Small-town lawman, desperate money scheme, dry jokes in tense rooms. 97% on Rotten Tomatoes off a reported $12M budget. Jeff Bridges mumbles like he's saving words for winter.
- 3
A decent person wanders into crime and can't back out.
That's the Fargo engine, moved to London. 8.7 on movie.guru, only $17.3M domestic. One bathhouse fight is legit too intense for some viewers.
- 2
Same directors, colder heart, fewer jokes. Still essential.
The Coens again: a tired sheriff, found money, a very bad man. 9.3 on movie.guru, my take 9.4. Kelly Macdonald gets way too little screen time.
- 1
The real Fargo heir, and the Coens finished second.
A polite guy with a business plan and zero conscience, deadpan the whole way. 7.8 on movie.guru, B-minus CinemaScore, my take 8.7. Audiences flinched. That's the point.
Change my mind. Rank these from most to least Fargo. Wrong answers only.
$226.13 says you finish Nightcrawler and call me wrong in the comments before the credits end.
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Current mood: ready to fight about it